Recorded during the same session that resulted in the Love Call album
(in late April and early May of 1968), New York Is Now is one of the
true curiosity pieces in Ornette's catalog. With a rhythm section
comprised of ex-Coltrane sidemen Jimmy Garrison and Elvin Jones as well
as tenorist Dewey Redman, Ornette is, in some sense, at odds with
himself here. This particular rhythm section is a lot more modally than
harmonically propelled -- especially Jones, who sounds here like he
doesn't know what to do with himself in the restrictive tempos -- and
creates a complex set of issues for Coleman and Redman to contend with.
That said, on "The Garden of Souls," which opens the album, Coleman
makes the most of this sprightly, energetic rhythm team and moves
through quotations of "Moon River," "Danny Boy," and even Paul Muriat's
"Love Is Blue" during his solo, before shifting the harmonics around and
anchoring them somewhere between E flat 7 and E major. On "Broadway
Blues," Coleman actually makes use of Monk in his melodic conception,
and he and Redman have a go at turning a seven-note vamp into all sorts
of knotty material for soloing -- you can almost feel Jones smile as the
tempo reaches triple time; the saxophonists have to race each other
through it. And while this date is of only marginal interest it is
pleasant if not amazing -- with the exception of "For a Commercial,"
which features Ornette's strident violin playing above the rest of the
band in the mix.
16.12.22
ORNETTE COLEMAN - New York Is Now! (1968-2014) RM | SHM-CD | Blue Note, The Masterworks | FLAC (tracks+.cue), lossless
-> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa' <-
Tracklist:
2 - Toy Dance
3 - We Now Interrupt For A Commercial
4 - Broad Way Blues
5 - Round Trip
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