Three very different scores for three very different films all recorded in the first months of 1996. Happy-go-lucky surf rock grooves, modern classical improvisational madness and a dark electro-acoustic construct using the sounds of water, fire and wind recorded for an erotic film noir S/M fantasy.
Music from Dina Waxman's Anton, Mailman, Henry Hills' Mechanics Of The Brain, and Maria Beatty's The Black Glove. TZADIK
Anton, Mailman (1996)
1 Opening Credits/Hawaiian Postcard 2:57
2 Work-A-Day World (Anton's Theme) 3:31
3 Seductress 4:18
4 End Titles 3:09
Mechanics Of The Brain (1996)
5 Fireworks 1:52
6 Surgery Montage 1:47
7 Brain Scan 1:05
8 Witches' Cauldron 3:47
9 Houdini 3:12
10 Subliminal Perceptions 1:45
11 Measuring 1:34
12 Macbeth 3:05
13 Pendulum 2:05
14 Mechanics Of The Brain 1:58
The Black Glove (1996)
15 Part One (Hot) 19:47
16 Part Two (Cool) 7:43
Credits :
Alto Saxophone – John Zorn (pistas: 1 to 4)
Bass – Greg Cohen (pistas: 1 to 4)
Cello – Erik Friedlander (pistas: 5 to 14)
Composed By [All Music Composed By], Arranged By [All Music Arranged By], Producer [Produced By] – John Zorn
Drum Machine [Drum Machines] – Ikue Mori (pistas: 5 to 14)
Effects [Sound Effects] – John Zorn (pistas: 5 to 14)
Guest [Special Guest], Voice – Jason Baker (pistas: 13)
Guitar – Marc Ribot (pistas: 1 to 4)
Guitar [Guitars] – Marc Ribot (pistas: 5 to 14)
Liner Notes [Notes By (English)] – John Zorn
Percussion – Cyro Baptista (pistas: 1 to 4)
Sound Designer [Sound Design] – John Zorn (pistas: 15, 16), John Zorn (pistas: 15, 16)
Violin – Mark Feldman (pistas: 5 to 14)
24.6.22
JOHN ZORN - FilmWorks VI : 1996 (1996) FLAC (tracks+.cue), lossless
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