FRANZ BERWALD : Piano Trios Vol. 2 (Drafi, Kertesz, Modrian) (1993) FLAC (image+.cue), lossless

Franz Berwald (1796-1868)

Piano Trios Volume 2

The Swedish composer Franz Berwald was the most distinguished of a musical dynasty of German origin. He was born in 1796 in Stockholm, the son of Christian

Friedrich Georg Berwald, a former pupil of Franz Benda in Berlin, who had first moved to Stoekholm in 1772. Franz Berwald’s younger brother Christian August served as a violinist in the Swedish court orchestra from 1815 and as its leader from 1834 to 1861. He himself had followed family tradition as a violinist, taught by his father, and was a member of the court orchestra from 1812 until 1828. He also appeared as a soloist and in 1819 toured Finland and Russia on a concert tour with his brother. Meanwhile he was winning something of a reputation as a composer, in particular with a symphony, now partly lost, and a violin concerto that followed earlier works for violin and orchestra.

In 1829 Berwald at last found the necessary patronage for study abroad and moved to Berlin, where he took lessons in counterpoint, but at the same time developed an interest in medicine. The early 1830s found him occupied abortively with operatic composition, but in 1835 he opened his own orthopaedic institute, an enterprise that enjoyed some success over the next six years, until he decided in 1841 to sell the institute and move to Vienna. There he continued to pursue his medical interests, while turning his attention to a new opera, his tenth attempt at the form, Estrelle de Sorio. In 1842 there was a successful concert of his music, after which he returned once more to Stockholm, where he hoped for similar success.

Now devoting his fuller attention to composition, Berwald completed hisfour surviving symphonies, but failed to achieve a favourable hearing either for the first of these or for two operettas that he had staged. In 1846 he returned to Vienna, where critics valued his gifts, as elsewhere in Austria and Germany, and in 1847 he was elected a member of the Salzburg Mozarteum, a recognition of his distinction. Three years later financial pressure brought a return to provincial Stockholm once more, but his unsuccessful attempts to find musical employment either as a conductor of the court orchestra or at the University of Uppsala now led to a further change of direction and in 1850 he became manager of a glass factory at Sandö, in the north of the country, later extending his commercial interests to include a sawmill. Winter visits to Stockholm were still possible and he was able to continue his association with music in particular with the composition of chamber music. By 1859 he had settled again in Stockholm, returning to a musical career. In 1862 his opera Estrelle de Soria was staged with some success and two years later he completed his last opera, Drottningen av Golconda (‘The Queen of Golconda’). At last he had begun to earn a measure of public recognition, with membership of the Swedish Royal Academy and the eventual, if at first disputed, appointment to a professorship. He died in Stockholm in 1868.
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