On the surface, Wish sounds happier than Disintegration, and the sunny British Invasion hooks of the hit single "Friday I'm in Love" certainly seem to indicate that the record is a brighter affair than its predecessor. Dig a little deeper and the album reveals itself to be just as tortured, and perhaps more despairing. Granted, the sound of the record, with its jangling guitars and simple arrangements, is more immediately accessible than the epic gloom of Disintegration, but nearly every song finds Robert Smith wracked with depression. Unfortunately, the even-handed production makes the record sound very similar, so it is less compelling than it might have been, but there are a handful of gems ("High," "A Letter to Elise," "Wendy Time," "Friday I'm in Love") that make the record worthwhile. by Stephen Thomas Erlewine
Tracklist :
1 Open 6:51
2 High 3:37
3 Apart 6:38
4 From The Edge Of The Deep Green Sea 7:44
5 Wendy Time 5:13
6 Doing The Unstuck 4:24
7 Friday I'm In Love 3:38
8 Trust 5:32
9 A Letter To Elise 5:14
10 Cut 5:55
11 To Wish Impossible Things 4:43
Viola – Kate Wilkinson
12 End 6:45
Credits :
Bass, Keyboards – Simon Gallup
Drums, Percussion – Boris Williams
Guitar – Porl Thompson
Guitar, 6-String Bass, Keyboards – Perry Bamonte
Voice, Guitar, 6-String Bass, Keyboards – Robert Smith
Written-By [All Songs] – Williams, Bamonte, Thompson, Smith, Gallup
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BADEN POWELL — Le Monde Musical de Baden Powell (1964-2005) MONO | FLAC (tracks+.cue), lossless
BrazilOnGuitar says: This first record for Barclay in 1964 is one of Baden´s most famous records in Europe. The sound of the original record...

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