Urubu is the album that MCA's Jobim probably aspired to be, a total
break away from the bossa nova past that is both ambitious and
strikingly original. The shock of dissonant strings, percussive and wind
sounds from the Brazilian interior greet us on the first track "Bôto,"
the first of four songs in which a defiant Jobim throws structural
complexities at us and sings in Portuguese only. The second four tracks
are an even more radical departure; all are classical orchestral pieces,
melancholy and even anguished in tone, owing little or nothing to
anyone, streaked with imaginative, even avant-garde orchestral touches
from Claus Ogerman. Clearly we are not on the Ipanema beach anymore, and
although this may be rough going for jazz-minded Jobim fans, the
pay-off is a glimpse into the depths of Jobim's soul. by Richard S. Ginell
"Jereba é urubu importante como, aliás, todo urubu. Mas entre eles, urubus, observam-se prioridades."
Tracklist:
1 O Bôto 6:09
Composed By – Antonio Carlos Jobim, Jararaca
Vocals – Miucha
2 Ligia 4:13
Composed By – Antonio Carlos Jobim
3 Correnteza (The Stream) 2:42
Composed By – Antonio Carlos Jobim, Luiz Bonfa
4 Ângela 2:50
Composed By – Antonio Carlos Jobim
5 Saudade Do Brasil 7:26
Composed By – Antonio Carlos Jobim
6 Valse 3:14
Composed By – Antonio Carlos Jobim
7 Arquitetura De Morar (Architecture To Live) 8:09
Composed By – Antonio Carlos Jobim
8 O Homem (Man) 2:31
Composed By – Antonio Carlos Jobim
Credits:
Arranged By, Conductor – Claus Ogerman
Bass – Ron Carter
Drums – João Palma
Electric Piano, Vocals, Text By – Antonio Carlos Jobim
Painting – Paulo Jobim
Percussion – Ray Armando
Vocals – Miucha (faixas: 1)
31.3.21
ANTONIO CARLOS JOBIM - Urubu (1976-1995) FLAC (image+.cue), lossless
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