2.4.20

PREMIATA FORNERIA MARCONI (1972-2013) 10 Albums / FLAC (image+.cue), lossless


Throughout the late '60s and early '70s, Premiata Forneria Marconi worked from their Italian homeland under the moniker of I Quelli. Their first album under the new name was Storia di un Minuto. They followed that one rather quickly with Per un Amico, which caught the attention of ELP's Greg Lake who invited them to visit London. During that visit, the group met Pete Sinfield (King Crimson, Roxy Music). Sinfield was so taken with the group that he decided to come on board writing lyrics and producing them. The result of that collaboration was Photos of Ghosts, but it was really only an English reworking of Per un Amico. Due to difficulties the British press was having with the name of the group, it was then shortened to PFM. The group released a true third album in L'isola di Niente. When it was set loose upon England, it was entitled The World Become the World. In the mid-'70s, Cook, a live album was released. It was renamed Live in U.S.A. for its Italian release. Their next release, after extensive touring and a short break, was Chocolate King. It became the first album to only feature an English version, the group having had done both English and Italian renditions of previous releases. The album, although not a huge commercial success, did generate enough interest to sign the band to Elektra Asylum Records. The next album, Jet Lag, was released in 1977 and was the last U.S. release, as they decided to return to Italy to concentrate on their home roots. They released Passpartù as the first album in their new homeland adventure. They eventually hooked up with RCA Records and released Suonare Suonare on that label. They followed that up with Come Ti Va In Riva Alla Città. The group waited about ten years before doing another album, with Ulisse coming in 1997. 2000 saw the release of Serendipity.  by Gary Hill


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Per Um Amico (1972-2014)

This is PFM's brilliant follow-up to Storia di un Minuto, and both albums are considered progressive rock classics, for good reason. The diversity, complexity, and integrity of the music here is as fine as anything produced during the early '70s from other prog rock giants such as Yes, Genesis, and King Crimson. The lyrics are in Italian and, while used sparingly, make a valuable contribution to the session's integrity. The music is constantly shifting in style, tempo, and tone, but held together by recurring themes. Mauro Pagani's airy flute is the perfect antidote to Francone Mussida's aggressive guitar, while Flavio Premoli's keyboard work rivals that of contemporaries such as Keith Emerson and Rick Wakeman. The music ranges from avant-garde to hard rock and everything in between. Always intelligent, but without pretension, this is progressive rock in its most literal definition. by Robert Taylor
Tracklist:
1 Appena Un Po' 7:46
2 Generale 4:13
3 Per Un Amico 5:20
4 Il Banchetto 8:34
5 Geranio 8:04
Bonus Tracks
6 Appena Un Pó (Edit Version) 6:52
7 Il Banchetto (Edit Version) 5:17
8 E' Festa (Edit Version) 2:49
Credits:
Acoustic Guitar, Twelve-String Guitar, Electric Guitar, Mandolin, Vocals – Franco Mussida
Drums, Percussion, Voice – Franz Di Cioccio
Flute, Alto Flute, Piccolo Flute, Violin, Vocals – Mauro Pagani
Piano, Harpsichord, Organ, Spinet, Mellotron, Chimes, Vocals, Synthesizer [Moog] – Flavio Premoli
Written-By, Arranged By, Producer – Premiata Forneria Marconi

Storia di um Minuto (1972-2014)

The debut recording from Italy's favorite sons of progressive rock. The band had been appearing as special guests in support of bands such as Procol Harum, Deep Purple, and Yes, in addition to playing several festivals. Their hard work paid off, and the result is this excellent recording. Recorded live in the studio, PFM proved they were every bit as creative and talented as the U.K. bands of the time. Their symphonic prog rock commingles elements of folk, classical, and jazz in a genuine manner. This is achieved by their transcendent and pliant level of musicianship. "Impressioni di Settembre" and the two-part "Dove...Quando" demonstrate the band's ability to create rich harmonies with pop-like melodies. The band can also lay it down pretty heavy, as can be heard on the rocking "È Festa," which turned out to be one of their most requested songs. Storia di un Minuto stands as one of the best progressive rock debuts in history, and along with Per un Amico and Photos of Ghosts, is essential to any serious collection. by Robert Taylor
Tracklist:
1 Introduzione 1:10
2 Impressioni Di Settembre 5:44
Lyrics By – Mogol
3 È Festa 4:52
4 Dove… Quando… (Parte I) 4:10
5 Dove… Quando… (Parte II) 6:01
6 La Carrozza Di Hans 6:46
7 Grazie Davvero 5:53
Bonus Track
8 La Carrozza Di Hans (Single Version) 5:42
9 Impressioni Di Settembre (Single Version) 4:18
Credits:
Bass, Vocals – Giorgio Piazza
Drums, Synthesizer [Moog], Percussion, Vocals – Franz Di Cioccio
Flute, Violin, Vocals – Mauro Pagani
Music By – F. Mussida, M. Pagani
Organ, Piano, Mellotron, Synthesizer [Moog], Vocals – Flavio Premoli
Written-By, Arranged By, Producer – P.F.M.

Photos of Ghosts (1973-2014)
Tracklist:
1 River Of Life 6:56
2 Celebration 3:50
3 Photos Of Ghosts 5:20
4 Old Rain 3:40
5 Il Banchetto 8:34
6 Mr.9 'Till 5 4:08
7 Promenade The Puzzle 7:30
Bonus Tracks
8 Photos Of Ghosts (Instrumental Mix) 5:22
9 River Of Life (First Mix) 7:07
10 Old Rain (First Mix) 3:40
11 Il Banchetto (First Mix) 8:35
12 Mr. 9 'Till 5 (Instrumental) 3:54
13 Celebration (Single Edit) 2:13
14 Mr. 9 'Till 5 (Single Edit) 2:52
Credits:
Bass Guitar – Giorgio Piazza
Drums, Vocals – Franz Di Cioccio
Guitar, Vocals – Franco Mussida
Keyboards, Vocals – Flavio Premoli
Lyrics By – Pete Sinfield (tracks: 1 to 3, 6, 7)
Producer [English Vocals], Remix [English Vocals] – Pete Sinfield
Violin, Woodwind – Mauro Pagani

Cook (1974-2004) 3CD SHM-CD
Tracklist:
Original Album Mix
1-1 Four Holes In The Ground
Written-By – Premoli, Mussida, Pagani, Sinfield
1-2 Dove....Quando....
Written-By – Mussida, Pagani
1-3 Just Look Away
Written-By – Premoli, Mussida, Pagani, Sinfield
1-4 Celebration (Including The World Became The World)
Written-By [Celebration] – Premoli, Mussida, Sinfield
Written-By [The World Became The World] – Mussida, Pagani, Mogol, Sinfield
1-5 Mr. Nine 'Till Five
Written-By – Premoli, Mussida, Sinfield
1-6 Alta Loma Five Till Nine (Including P.F.M.'s Arrangement Of Rossini's William Tell Overture)
Arranged By [William Tell Overture] – P. F. M.
Written-By [Alta Loma Five Till Nine] – Premoli, Mussida
Written-By [William Tell Overture] – Rossini

Live At Central Park, New York
2-1 River Of Life
Written-By – F. Premoli, F. Mussida, P. Sinfield
2-2 Four Holes In The Ground
Written-By – Premoli, Mussida, Pagani, Sinfield
2-3 Is My Face On Straight
Written-By – Premoli, Mussida, Pagani, Sinfield
2-4 Dove....Quando....
Written-By – Mussida, Pagani
2-5 Guitar Solo
Written-By – Mussida
2-6 Just Look Away
Written-By – Premoli, Mussida, Pagani, Sinfield

Live At Central Park, New York
3-1 Mr. Nine 'Till Five
Written-By – Premoli, Mussida, Sinfield
3-2 Alta Loma Five 'Till Nine (Including P.F.M.'s Arrangement Of Rossini's William Tell Overture)
Arranged By [William Tell Overture] – P. F. M.
Written-By [Alta Loma Five Till Nine] – Premoli, Mussida
Written-By [William Tell Overture] – Rossini
3-3.a Celebration
Written-By – Premoli, Mussida, Sinfield
3-3.b Drum Solo
Written-By – Di Cioccio
3-3.c The World Became The World
Written-By – Mussida, Pagani, Mogol, Sinfield
Credits:
Bass, Vocals – Patrick Djivas
Drums, Percussion, Vocals – Franz Di Cioccio
Guitar, Vocals – Franco Mussida
Keyboards, Vocals – Flavio Premoli
Violin, Woodwind, Vocals – Mauro Pagani
Notas
Tracks 1-1 to 1-6 originally released as LP " Cook " in 1974.
This album has also been released under the name "Live In U.S.A." in Italy in 1974 with different cover.

 L' Isola di Niente (1974-2014)
Premiata Forneria Marconi's third Italian album (their fourth if one counts the 1973 release Photos of Ghosts, the English version of Per un Amico) came out shortly before ELP's Manticore imprint released its English version under the title The World Became the World. Unless lyrics sung in a language other than English is aggravating to you, by all means prefer the original version. Like for Banco del Mutuo Soccorso and Le Orme, the music of PFM is impregnated with the lyricism of the Italian language. The most confusing of the group's first three LPs, L'Isola di Niente (The Island of Nothing) sees the group pushing its music to a new level of complexity, while giving a first hint at their later jazz-rock orientation. The title track (which will became "The Mountain" on The World Became the World) is a very powerful, almost shocking 11-minute epic, with choir, rolling echo-drenched drums and some of the most theatrical vocal performance you are likely to hear on a PFM record. BMG's 24-bit gold remastered CD reissue has helped clarify the choir sections (murky at best on the cheap vinyl pressings from days of yore), but the impact of the piece is still lessened by the tons of effects the group used. "Is My Face on Straight" is the only track that appeared in English on both LPs. The lyrics of ex-King Crimson's Pete Sinfield match the cadavre exquis-like collage of seemingly unrelated musical sections. PFM exhibit some of their best musical chops on this crazy number. "La Luna Nuova" (retitled "Four Holes to the Ground" on The World) is the track sounding the most familiar in comparison to the group's first two albums. It is also one of their best symphonic progressive rockers, with that sweet Italian flavor the harsh "L'Isola di Niente" eschewed. The ballad "Dolcissima Maria" is little more than that, but still much better in this rendition than its English counterpart "Just Look Away." The closing instrumental "Via Lumiére" (needlessly retitled "Have Your Cake and Beat It" on The World) was this album's enigma. Beginning with a rather free-form bass solo from Jan Patrick Djivas, it evolves into a frantic jazz-rock vamp, before reverting to a Yes-like mid-tempo finale. L'Isola di Niente was to be the group's last masterpiece (the next LP, Chocolate Kings, will show serious signs of fatigue) and remains one of the first Italian progressive rock wave's finest records, but it is more of an acquired taste compared to Storia di un Minuto and Per un Amico. by François Couture
Tracklist:
1 L'Isola Di Niente 10:42
2 Is My Face On Straight 6:36
3 La Luna Nuova 6:21
4 Dolcissima Maria 4:01
5 Via Lumière 7:21
6 Via Lumière (Single Version) (Bonus Track) 3:31
Credits:
Arranged By – Claudio Fabi, PFM
Bass, Vocals – Jan Patrick Djivas
Drums, Percussion, Vocals – Franz Di Cioccio
Guitar, Vocals – Franco Mussida
Keyboards – Flavio Premoli
Lyrics By – Mauro Pagani (tracks: 1, 3 to 6), Pete Sinfield (tracks: 2)
Music By – PFM
Violin, Flute, Vocals – Mauro Pagani


The World Became The World (1974-2014) SHM-CD
Tracklist:
1 The Mountain 10:45
2 Just Look Away 4:01
3 The World Became The World 4:47
4 Four Holes In The Ground 6:21
5 Is My Face On Straight 6:38
6 Have Your Cake And Beat It 7:20
7 Four Holes In The Ground [Single Edit] 3:19
8 La Carrozza Di Hans [Live] 5:59
Credits:
Arranged By – Claudio Fabi, PFM
Bass, Vocals – Jan Patrick Djivas
Chorus – Accademia Paolina Di Milano
Conductor [Chorus] – Claudio
Drums, Percussion, Vocals – Franz Di Cioccio
Guitar, Vocals – Franco Mussida
Keyboards, Vocals – Flavio Premoli
Lyrics By [English Lyrics By] – Pete Sinfield
Violin, Woodwind, Vocals – Mauro Pagani
Written-By [All Titles And Choir Music Written By] – PFM


Chocolate Kings (1975-214) 2 CD
Tracklist:
1-1 From Under 7:31
1-2 Harlequin 7:50
1-3 Chocolate Kings 4:41
1-4 Out Of The Roundabout 7:55
1-5 Paper Charms 8:32
1-6 Chocolate Kings (Single Edit) 4:06
1-7 Harlequin (Single Edit) 3:48
2-1 Paper Charms 10:20
2-2 Four Holes In The Ground 14:26
2-3 Acoustic Guitar Solo 5:26
2-4 Out Of The Roundabout 7:38
2-5 Chocolate Kings 5:14
2-6 Mr. 9 'Till 5 4:20
2-7 Alta Loma Five Till Nine / William Tell Overture 15:30
Credits:
Bass [Ripper Bass] – Patrick Djivas
Drums, Percussion, Backing Vocals – Franz Di Cioccio
Guitar, Backing Vocals – Franco Mussida
Keyboards, Backing Vocals – Flavio Premoli
Lead Vocals – Bernardo Lanzetti
Lyrics By – Marva Jan Marrow (tracks: 1-1, 1-3, 1-6, 2-5), PFM
Music By – PFM
Producer – Claudio Fabi, PFM
Woodwind, Violin – Mauro Pagani

 Jet Lag (1977-2014) SHM-CD
As PFM's work showed the increasing influence of electric jazz, the releases showed more impressive chops and yet also became less compelling to listen to. Jet Lag is the first release of theirs to cross this line, as it's noticeably less enjoyable than the previous year's Chocolate Kings. Still, it has its moments-the interlaced electric piano and violin of the lengthy title track and the instrumental "Left Handed Theory" salvage an otherwise forgettable effort. by Paul Collins
Tracklist:
1 Peninsula 2:35
2 Jet Lag 9:09
3 Storia In "La" 6:24
4 Breakin In 4:06
5 Cerco La Lingua 5:31
6 Meridiani 5:56
7 Left-Handed Theory 4:10
8 Traveler 5:40
9 La Carrozza Di Hans 14:45
Credits:
Acoustic Guitar, Electric Guitar – Franco Mussida
Arranged By [Music And Lyrics Arranged By] – PFM
Bass [Fretless], Synthesizer [Moog B 12] – Patrick Djivas
Drums, Percussion [Wood] – Franz Di Cioccio
Lyrics By – PFM
Music By – PFM
Organ [Pari], Electric Piano, Synthesizer [Micro Moog] – Flavio Premoli
Violin [Acoustic & Electric] – Gregory Bloch
Vocals, Percussion – Bernardo Lanzetti

 A.D. 2010 - La Buona Novella (2010-2014) SHM-CD
Tracklist:
1 Universo E Terra (Preludio)
2 L' Infanzia Di Maria
3 Il Ritorno Di Giuseppe
4 Il Sogno Di Maria
5 Ave Maria
6 Maria Nella Bottega Di Un Falegname
7 Via Della Croce
8 Tre Madri
9 Il Testamento Di Tito
10 Laudate Hominem

In Classic Da Mozart A Celebration (2013-2014) 2CD SHM-CD
Tracklist:
1-1 Il Flauto Magico - Overture (Including Trazom, Deoama)
Orchestrated By – Bruno Santori
Written-By – W.A. Mozart
Written-By [Trazom, Deoama] – Mussida, Di Cioccio, Djivas
1-2 Danza Macabra (Including Passeggiata Di Fantasmi)
Orchestrated By – Bruno Santori
Written-By – C. Saint- Saëns
Written-By [Passegiata] – Mussida, Di Cioccio, Djivas
1-3 Danza Slava N.° 1 (Including I Monti Slavi, Il Monte Pief)
Orchestrated By – Bruno Santori
Written-By – A. Dvorak
Written-By [I Monti Slavi, Monte Pief] – Mussida, Di Cioccio, Djivas
1-4 Sinfonia N.° 5 IV Mov. Adagietto (Including Adagietto, Adagio Elettrico)
Orchestrated By – Bruno Santori
Written-By – G.Mahler
Written-By [Adagietto, Adagio Elettrico] – Mussida, Di Cioccio, Djivas
1-5 Romeo E Giulietta - Danza Dei Cavalieri (Including Il Potere Dell'amore, Gli Amanti Di Verona)
Orchestrated By – Sandro Mussida
Written-By – S. Prokofiev
Written-By [Il Potere, Gli Amante] – Mussida, Di Cioccio, Djivas
1-6 La Grande Pasqua Russa (Including Danza Della Pasqua)
Orchestrated By – Bruno Santori
Written-By – N.A. Rimskij Korsakov
Written-By [Danza] – Mussida, Di Cioccio, Djivas
1-7 Nabucco - Overture (Including Donosor B.)
Orchestrated By – Bruno Santori
Written-By – G. Verdi
Written-By [Donosor B.] – Mussida, Di Cioccio, Djivas
2-1 La Luna Nuova
Orchestrated By – Oliviero Lacagnina
Written-By – Premoli, Mussida, Pagani
2-2 Promenade The Puzzle
Orchestrated By – Oliviero Lacagnina
Written-By – Premoli, Mussida, Pagani, Sinfield
2-3 Dove...Quando
Orchestrated By – Oliviero Lacagnina
Written-By – Mussida, Pagani
2-4 Maestro Della Voce
Orchestrated By – Oliviero Lacagnina
Written-By – Premoli, Mussida, Di Cioccio, Djivas
2-5 Impressioni Di Settembre
Orchestrated By – Oliviero Lacagnina
Written-By – Mussida, Pagani, Mogol
Suite Italiana
2-6a Sinfonia Nº 4 - Italiana
Orchestrated By – Bruno Santori
Written-By – F. Mendelssohn
2-6b Celebration
Orchestrated By – Bruno Santori
Written-By – Mussida, Pagani, Sinfield
2-6c La Danza
Orchestrated By – Bruno Santori
Written-By – G. Rossini
2-7 Guglielmo Tell - Ouverture Bonus Track (Live)
Orchestrated By – Bruno Santori
Written-By – G. Rossini
Credits:
Acoustic Guitar, Electric Guitar, Twelve-String Guitar, Vocals – Franco Mussida
Arranged By, Producer – Premiata Forneria Marconi
Bass, Producer [Pre / Postproduction] – Patrick Djivas
Conductor [Assistant] – Silvio Fantozzi
Conductor [Symphsonic Orchestra] – Bruno Santori
Drums [2nd Drummer], Percussion – Roberto Gualdi
Drums, Percussion, Vocals, Executive-Producer – Franz Di Cioccio
Keyboards – Alessandro Scaglione
Orchestra – Symphsonic Orchestra
Recorded By [Orchestra] – Marco Barberis
Violin, Keyboards [Second] – Lucio Fabbri

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