30.9.25

AGITATION FREE — Last (1976) Three Version | FLAC (image+.tracks+.cue), lossless

1973 live album LAST, the final official release before Agitation Free's 1999 reunion, the group builds upon the psychedelic jams that characterized its two previous recordings, giving increased priority to slow-building electronic textures and soundscapes. Opening cut "Soundpool," the first of the album's three recordings, marries electronic orchestration with a extended guitar jam. "Laila II," originally from 1973 album 2ND, is teased to epic length. Sidelong closer "Looping" is given over to hypnotic modulations, ending the first phase of Agitation Free's career less with a bang than a whisper, or a drone. Stephen May
Tracklist :
1.    Soundpool 5:47
Agitation Free
2.    Laila II 17:08
Agitation Free
3.    Looping IV 22:45
Composed By – E. Grosskopf
– BONUS TRACKS –
4. 
   Schwingspule 10:59
Agitation Free
Credits :
Arranged By, Performer – Agitation Free
Bass – Michael Günther
Drums, Percussion – Burghard Rausch, Dietmar Burmeister
Guitar – Jörg Schwenke, Lutz Ulbrich
Loops – Erhard Grosskopf
Synthesizer, Keyboards – Michael Hoenig
Vocals [Modified], Loops – Gustl Lütjens

AGITATION FREE — Fragments (1974) Three Version | APE + FLAC (image+.tracks+.cue), lossless

Agitation Free’s last gig (with guests) was on 11/14/1974. It was recorded by Klaus D. Müller. The gig was already released on CD in 1995 by Musique Intemporelle, and in 1996 by Spalax as far as the tapes were found. Though the sound was bad, because of the basses hardly being audible. With the CD now released by Garden of Delights the shortcoming was overcome – that makes the CD as different as chalk and cheese compared to the earlier ones. Here you can find a bonus track too, a blues. In addition to that “Someone’s secret” and “We are men” are to be heard in their full length. Only “Mediterranean flight” isn’t from the gig mentioned above. It is part of the radio play “Störenfried” of summer 1974. All in all “Fragments” isn’t as spherical and dainty as their masterpieces “Malesch” and “2nd”, but much more improvised and more like rock. GOD
Tracklist :
1.    Someone's Secret    17:56
2.    Mickey's Laugh    10:04
3.    We Are Men 18:54
4.    Mediterranean Flight    3:54
- BONUS TRACKS -    
5.    Blues    10:46
Credits :
Written-By [All Songs Written By] – Agitation Free
Lutz Ulbrich (g, key), Michael Hoenig (key), Bernhard Arndt (p), Jörg Schwenke (g), Mickie Duwe (g, voc), Gustl Lütjens (g, b), Michael Günther (b), Burghard Rausch (dr), Christoph Franke (dr)

29.9.25

AGITATION FREE — At the Cliffs of River Rhine (1974-1998) Three Version | WV + FLAC (image+.tracks+.cue), lossless

A 38-minute concert recorded for radio in Cologne, Germany, on February 2, 1974, LIVE '74: AT THE CLIFFS OF RIVER RHINE arguably represents the apex of Agitation Free's trademark "cosmic" instrumental space-improv explorations, showcasing the virtuosity of guitarists Lutz Ulbrich and Gustav Lutjens, keyboard player Michael Hoenig, drummer Burghard Rauch, and bassist Michael Gunter. Thirteen-minute opener "Through the Moods" is unavailable elsewhere; the remaining cuts, which sounded great on 1973 psych-rock landmark 2ND, are positively electric, making this recording an indispensible part of Agitation Free's discography. Stephen May

 Agitation Free from Berlin are well-known thanks to their albums "Malesch" (1972), "Second" (1973) and "Last" (1976). The band produced such famous musicians as Christopher Franke, who went to Tangerine Dream, and Axel Genrich, who was to join Guru Guru. They were living and rehearsing in the by now legendary Commune 1, at that time also the home of Dieter Kunzelmann, Fritz Teufel, Rainer Langhans and Uschi Obermaier, prominent figures of the APO, a radical left-wing movement in the late sixties. For the CD "At the cliffs of the Rhine" (incl. 32-page booklet), a gig recorded in expert quality on 2 / 2 / 1974 in Cologne was chosen. It had already been released on the illegal LP "At last...is alive" before, yet in bad recording quality. A CD containing rather jazzy studio recordings from their late period is in preparation. GOD
Tracklist :
1.    Through The Moods    13:28
2.    First Communication    8:56
3.    Dialogue & Random    0:57
4.    Laila    10:03
5.    In The Silence Of The Morning Sunrise    4:41
Credits :
Bass [Baß] – Michael Günther
Drums [Schlagzeug] – Burghard Rausch
Guitar [Gitarre] – Gustav Lütjens, Lutz Ulbrich
Keyboards [Tasten] – Michael Hoenig 

AGITATION FREE — The Other Sides of Agitation Free (1974-1999) RM | Three Version | WV + FLAC (image+.tracks+.cue), lossless

When Burghard Rausch and Michael Hoenig left Agitation Free in 1974, the band was almost in a state of apparent death. Yet Michael Günther and Gustl Lütjens eventually decided not to give up and so, during the autumn and winter of that very year, joined by some new musicians from their scene, they would give it a try in the recording studio. Thanks to Manfred Opitz and Gustl Lütjens, the outcome was a set of rather jazzy tracks which were, however, rejected by Vertigo as being "unsaleable". On "The other sides" these tracks can be heard for the first time, supplemented by extracts from their political-rock radio play "Störenfried" ("trouble-maker"), it too from 1974. Those are rather unusual sounds for a band like Agitation Free, some of the tracks even featuring vocals. After that disappointment the band eventually broke up. GOD
Tracklist :
1    Atlantic Overcrossing 5:32
Drums – Harald Groβkopf
Keyboards, Vocals, Written-By – Manfred Opitz
Saxophone – Klaus "Maus" Henrichs

2    Abulafia 6:16
Drums – Harald Groβkopf
Keyboards, Vocals, Written-By – Manfred Opitz
Saxophone – Klaus "Maus" Henrichs

3    6th Floor 5:09
Drums, Percussion – Konstantin Bommarius
Keyboards, Vocals – Manfred Opitz
Trombone – Lou Blackburn
Written-By – Gustav Lütjens

4    Deliverance 4:22
Drums, Percussion – Konstantin Bommarius
Written-By – Gustav Lütjens

5    Latino Catherine 3:35
Drums, Percussion – Konstantin Bommarius
Piano – Christian "Bino" Brero
Written-By – Michael Günther

6    Get It Out 4:20
Drums – Jochen Bauer
Keyboards – Bernd Gruber
Written-By – Gustav Lütjens

7    Offstage 2:45
Drums – Jochen Bauer
Keyboards – Bernd Gruber
Written-By – Gustav Lütjens

8    Song Für Den Proletariersohn, Teil 1 5:36
Drums – Dietmar Burmeister
Engineer – Jonas Bergler
Organ – Bernhard Arndt
Vocals – Micky Duwe
Written-By – Alfred Bergmann, M. Günther

9    Song Für Den Proletariersohn, Teil 2 2:23
Drums – Dietmar Burmeister
Engineer – Jonas Bergler
Vocals – Micky Duwe
Written-By – Alfred Bergmann, M. Günther

10    Song Für Den Proletariersohn, Teil 3 1:35
Drums – Dietmar Burmeister
Engineer – Jonas Bergler
Vocals – Micky Duwe
Written-By – Alfred Bergmann, M. Günther

Credits :
Bass – Michael "Fame" Günther
Vocals, Guitar – Gustav Lütjens

AGITATION FREE — River Of Return (1999) Prudence Cosmopolitan Music Series | FLAC (tracks+.cue), lossless

Attempting a comeback after 25 years can be a risky venture, especially for an aging band so closely tied to a vanished zeitgeist, in this case the restless counterculture of early 1970s Germany. But Agitation Free got it exactly right for their improbable late '90s reunion, striking an ideal balance between nostalgia and change.

The classic AF lineup last heard in 1974 was still intact, minus keyboard guru Michael Hoenig, who at the time was occupied with crummy Hollywood soundtrack commissions, emulating his idols in Tangerine Dream. His absence would force the remaining players to pursue a bigger, brighter sound, far removed from the band's Krautrock roots but entirely appropriate for the more streamlined musical climate of the 1990s. 'Accessible' can be a dirty word in Progressive Rock circles, but it works here, and the band's jammy instrumental vibe wasn't compromised in the slightest.

The title track opens the album on an unexpected (and very pretty) acoustic guitar phrase, courtesy of Gustl Lütjens. The added saxophone is another surprise, alerting listeners that the band was no longer living in the past. Or at least not entirely: some of that spacey early '70s DNA resurfaces in the awkwardly titled "She Sells Seashells at the Seashore", one of two cuts breaking the ten-minute threshold. The past is likewise present in "Nomads", a groovy dream of Arab caravans recalling the band's travels throughout the Near East before recording their first album in 1972.

Both tracks reference the same cosmic heritage, but without sounding at all retrograde. Ditto the climactic "177 Spectacular Sunrises", closing the album on a drifting meditative note consistent with the band's Krautrock origins, but updated to the uncertain end of a turbulent millennium.

It's too bad that perfectly timed curtain was then spoiled by an atypical bonus track: the hard-rocking encore "Keep On": not a bad song, but all-too conventional after the uncanny voyage preceding it.

The reformation was brief, and another decade would pass before the band was heard again (see: Shibuya Nights"). But if this ends up being the final Agitation Free studio album it'll be remembered as a worthwhile valedictory, especially for a group more than two decades away from home. progarchives 
Tracklist :
1. River of Return (8:24)
2. 2 Part 2 (5:46)
3. Fame's Mood (4:10)
4. Susie Sells Seashells at the Seashore (10:01)
5. The Obscure Carousel (5:16)
6. Nomads (7:07)
7. Das Kleine Uhrwerk (5:04)
8. 177 Spectacular Sunrises (13:08)
9. Keep On (3:57)
Credits :
Lutz Ulbrich - Eectric & Aoustic Guitars, Ukulele, Keyboards
Gustl Lutjens - Electric & Acoustic Guitars, Keyboards
Michael Günther - Bass, Keyboards
Burghard Rausch - Drums
With:
Chris Dehler - Vocals
Bernhard Potschka - Acoustic Guitar, Mandolin, Udu, Sampler, producer
Koma - Bagpipes
Alto Pappert - Tenor Saxophone
Minas Suluyan - Percussion

McOIL — All Our Hopes (1979-1993) Two Version | WV (image+.tracks+.cue), lossless

Prime time for progressive rock had already passed by when in 1979 McOil released their album "All our hopes" in an edition of 10...