AL JARREAU — Accentuate The Positive (2004) FLAC (tracks+.cue), lossless

Although centered around songs from the 1940s, Al Jarreau's Accentuate the Positive is another stellar modern jazz album that continues the winning streak he began with his 2000 comeback, Tomorrow Today. Similar to his previous effort, the R&B-infused All I Got, the album features classy production from Tommy LiPuma and a natty cast of backing musicians, including bassist Christian McBride and guitarist Anthony Wilson, among others. Centered around Jarreau's still limber and evocative vocals, Accentuate moves from uptempo bluesy numbers like Eddie Henderson's "Cold Duck" to lush ballads, including "My Foolish Heart" and reworked standards, most notably "Ac-Cent-Tchu-Ate the Positive," turned here into a funky and expansive toe-tapper. This is a solid, poignant, and straight-ahead album that showcases Jarreau's unique gift in the best light possible and should appeal to longtime fans and contemporary jazz listeners alike.  Matt Collar
Tracklist :
1. Cold Duck 3:46
Bass – Christian McBride
Drums – Mark Simmons
Guitar – Anthony Wilson
Percussion – Luis Conte
Tenor Saxophone – Keith Anderson
Vocals – Al Jarreau
Written-By – Al Jarreau, Eddie Harris
2. The Nearness Of You 3:43
Bass – Christian McBride
Drums – Peter Erskine
Guitar – Anthony Williams
Keyboards, Arranged By – Larry Williams
Vocals – Al Jarreau
Written-By – Hoagy Carmichael, Ned Washington
3. I'm Beginning To See The Light 4:04
Drums – Peter Erskine
Guitar – Anthony Wilson
Organ [Hammond B-3] – Larry Goldings
Vocals – Al Jarreau
Written-By – Don George, Duke Ellington, Harry James, Johnny Hodges
4. My Foolish Heart 5:32
Bass – David Carpenter
Drums – Peter Erskine
Guitar – Anthony Wilson
Keyboards, Arranged By – Larry Williams
Percussion – Luis Conte
Vocals – Al Jarreau
Written-By – Ned Washington, Victor Young
5. Midnight Sun 6:01
Bass – Christian McBride
Drums – Mark Simmons
Guitar – Anthony Williams
Harmonica – Tollak Ollestad
Keyboards, Arranged By – Larry Williams
Vocals – Al Jarreau
Written-By – Johnny Mercer, Lionel Hampton, Sonny Burke
6. Ac-cent-tchu-ate The Positive 4:03
Bass – Christian McBride
Drums – Mark Simmons
Guitar – Anthony Wilson
Keyboards, Arranged By – Larry Williams
Percussion – Luis Conte
Tenor Saxophone – Keith Anderson
Vocals – Al Jarreau
Written-By – Harold Arlen, Johnny Mercer
7. Betty Beop's Song 4:16
Bass – David Carpenter
Drums – Peter Erskine
Guitar – Anthony Wilson
Keyboards, Arranged By – Larry Williams
Vocals – Al Jarreau
Written-By – Al Jarreau, Freddie Ravel
8. Waltz For Debby 4:44
Bass – Christian McBride
Drums – Peter Erskine
Guitar – Anthony Wilson
Keyboards, Arranged By – Larry Williams
Vocals – Al Jarreau
Written-By – Bill Evans, Gene Lees
9. Groovin' High 4:11
Bass – Christian McBride
Drums – Peter Erskine
Guitar – Anthony Wilson
Keyboards, Arranged By – Larry Williams
Vocals – Al Jarreau
Written-By – Al Jarreau, Dizzy Gillespie
10. Lotus 5:11
Bass – Christian McBride
Drums – Peter Erskine
Guitar – Anthony Wilson
Keyboards, Arranged By – Larry Williams
Percussion – Luis Conte
Vocals – Al Jarreau
Written-By – Al Jarreau, Don Grolnick
11. Scootcha-Booty 4:26
Bass – David Carpenter
Drums – Peter Erskine
Guitar – Anthony Wilson
Piano – Russell Ferrante
Vocals – Al Jarreau
Written-By – Al Jarreau, Russell Ferrante 

JOE HENDERSON QUARTETS — Tetragon (1968-1995) RM | FLAC (tracks+.cue), lossless

Joe Henderson's second Milestone recording (which, as with all the others, is currently available on his massive "complete" eight-CD box set) features the great tenor with two separate rhythm sections: Kenny Barron or Don Friedman on piano, bassist Ron Carter and either Louis Hayes or Jack DeJohnette on drums. Highlights of this album include the title track, "I've Got You Under My Skin" and "Invitation." Scott Yanow
Tracklist :
1.    Invitation    6:13
 Bronislaw Kaper / Paul Francis Webster 
2.    R. J.    5:33
 Ron Carter 
3.    The Bead Game    8:36
 Joe Henderson / Lee Konitz 
4.    Tetragon    5:37
 Joe Henderson 
5.    Waltz For Zweetie    4:25
 Walter Bishop, Sr. 
6.    First Trip    5:12
 Ron Carter 
7.    I've Got You Under My Skin    4:57
 Cole Porter 
Credits :
Bass – Ron Carter
Drums – Jack DeJohnette (tracks: 1 to 3, 5), Louis Hayes (tracks: 4, 6, 7)
Piano – Don Friedman (tracks: 1 to 3, 5), Kenny Barron (tracks: 4, 6, 7)
Tenor Saxophone – Joe Henderson

YELLOWJACKETS — Politics (1988) FLAC (tracks+.cue), lossless

A nearly complete departure from smooth jazz, Politics is arguably the Yellowjackets' strongest effort to date. True, there is the pure pop of the single "Local Hero" (which features a rhythm section more rock than jazz) and the accessible "Evening Dance" to be considered, but they're the exceptions rather than the rule. Like Four Corners before it, Politics engages in exotic, dreamy textures, the new wrinkle here being the joining of Russell Ferrante's keyboards and Marc Russo's saxophones to create intoxicating, complex themes (the opening pair of "Oz" and "Tortoise & the Hare" are the best examples of this technique). The disc also finds the Yellowjackets incorporating elements of post-bop ("Downtown," "Foreign Correspondent") and more traditional jazz ("Helix," which affords a rare opportunity to compare Ferrante's piano technique to those of artists like Chick Corea and Bill Evans). The biggest difference in sound comes from Russo, who downplays his typically smooth soloing for more cerebral fare. Jimmy Haslip's bass has grown steadily more subtle over time, though he does showcase his fretless skills on "Galileo (For Jaco)" and provides a perfect complement to Russo's sax on the romantic "Avance." The rhythms of William Kennedy have moved higher in the mix, which partially accounts for Haslip's diminished presence, with guest Alex Acuña again providing occasional percussion. It's a pleasure to hear the Yellowjackets move beyond smooth jazz to bring their talents to bear on more substantive music. Despite the variety of styles -- from giddy, Ponty-like patterns to thoughtful, unfolding ballads -- the Yellowjackets treat every song with care and craftsmanship. The band returned to self-producing after this, so some of the softness in tone that co-producer David Hentschel brought to the sessions was lost on The Spin. Of the four albums that the band made for MCA, Politics is the one to own. Dave Connolly  
Tracklist :
1     Oz 4:44
Russell Ferrante / Jimmy Haslip / William Kennedy / Marc Russo
2     Tortoise & The Hare 5:32
Russell Ferrante / Jimmy Haslip / Marc Russo
3     Local Hero 4:38
Russell Ferrante / Jimmy Haslip / Marc Russo
4     Galileo (For Jaco) 5:05
Jimmy Haslip
5     Foreign Correspondent 5:43
Russell Ferrante / Jimmy Haslip / William Kennedy / Marc Russo
6     Downtown 4:02
Russell Ferrante
7     Helix 4:57
Russell Ferrante / William Kennedy
8     Avance 5:17
Russell Ferrante
9     One Voice 3:58
Russell Ferrante
10     Evening Dance 5:10
Russell Ferrante
Credits :
Guest, Musician, Percussion – Alex Acuna
Guest, Musician, Synthesizer [Synclavier] – Steve Croes
Performer [Yellowjackets Are:], Bass [5 String Bass] – Jimmy Haslip
Performer [Yellowjackets Are:], Drums – William Kennedy
Performer [Yellowjackets Are:], Keyboards [All Keyboards] – Russell Ferrante
Performer [Yellowjackets Are:], Saxophone [Saxophones] – Marc Russo

EAST OF EDEN – Snafu (1970-2004) Two Version | FLAC (image+.tracks+.cue), lossless

East of Eden's second album had to be one of the least commercial albums ever to enter the British Top 30, as well as one of the most stylistically diverse (or inconsistent, depending upon your mindset). The term "progressive rock" fit as well as any, yet much of it was rather along the lines of early jazz-rock fusion, with lengthy hard-to-hum instrumental passages. But there was a lot of Eastern influence as well, especially on those pieces that highlighted Dave Arbus' violin and flute. Some of the absurdist humor along the lines of Frank Zappa and the Soft Machine makes itself known too, though East of Eden were more serious than Zappa and less whimsical than the Softs. Indeed, it's a rather sober affair that sometimes approaches gloominess, and like the late '60s/early '70s Soft Machine, it's more oriented toward virtuosic instrumental sections than vocals and lyrics. Then there's some out and out weirdness, like the squiggly tape manipulations/musique concrète of "Uno Transito Clapori" and the eerie backwards-sounding effects that run through some of "Habibi Baby Beast of Sweden." The surreal touches sometimes seem self-conscious, not least in the song titles, i.e. "Traditional: Arranged by East of Eden" (which is not traditional, but an East of Eden original). It all leaves the impression of an intellectual band who can play well and play in lots of different styles, but don't quite excel at anything as far as raw compositional ability. Richie Unterberger  
Tracklist :
1.    Have To Whack It Up 2:20
Alto Saxophone [Electric], Vocals – Ron Caines
Violin – Dave Arbus
2a    Leaping Beauties For Rudy 
Alto Saxophone – Ron Caines
Tenor Saxophone – Dave Arbus
2b        Marcus Junior 7:02
Soprano Saxophone – Ron Caines
Tenor Saxophone, Electric Violin – Dave Arbus
3a        Xhorkom
Harmonica [Harp] – Geoff Nicholson
Piano, Vocals – Ron Caines
3b        Ramadhan
Claves, Drum [African Hand Drum] – Geoff Britton
Flute – Dave Arbus
Soprano Saxophone, Vocals – Ron Caines
3c        In The Snow For A Blow 8:07
Alto Saxophone [Electric And Acoustic] – Ron Caines
Trumpet, Tenor Saxophone – Dave Arbus
Vocals [Everyone] – East Of Eden 
4.    Uno Transito Clapori 2:53
Tape – Peter, Robin
5a        Gum Arabic
Flute, Bells [Indian], Bagpipes [Bagpipe Chanter] – Dave Arbus
Synthesizer [Stylophone] – Ron Caines
5b        Confucius 8:18
Flute, Electric Violin – Dave Arbus
Tenor Saxophone, Soprano Saxophone – Ron Caines
6.    Nymphenburger 5:46
Alto Saxophone [Electric] – Ron Caines
Guitar [Both], Vocals – Geoff Nicholson
Violin [Six Violins] – Dave Arbus
7a        Habibi Baby
Flute – Dave Arbus
Soprano Saxophone – Ron Caines
Vocals – Geoff Nicholson
7b        Beast Of Sweden
Electric Violin – Dave Arbus
7c        Boehm Constrictor 6:22
Flute, Violin – Dave Arbus
Percussion – Geoff Britton
Strings – Andy, Geoff Nicholson
8.    Traditional : Arranged By East Of Eden 1:33
Piano, Strings – Geoff Nicholson
Piano, Vocals – Ron Caines
– BONUS TRACKS –
9.        Jig-A-Jig    3:43
10.        Petite Fille (Previously Unreleased)    3:52
11.        Biffin Bridge (Previously Unreleased)    5:50
12.        Blue Boar Blues (Previously Unreleased)    7:06
13.        Nymphenburger (First Take)    5:10
14.        Marcus Junior (Single Edit)    3:56
15.        Jig-A-Jig (Take Nine)    4:10

EAST OF EDEN — Jig-A-Jig (1971-1997) Two Version | FLAC (image+.tracks+.cue), lossless

Jig-A-Jig is a nine-track compilation from this wonderfully enthusiastic British band, spotlighting their jovial blend of folk-rock and jazz elements. With most of the material emerging from 1970's Snafu album, East of Eden's flighty, progressive atmosphere comes to life through the mixture of flute, saxophone, and, especially, electric violin. One of their most energetic numbers entitled "Nymphenburger" uses six violin tracks and four guitar tracks with some electric alto sax piled on top, entirely overdubbed with the result sounding beautifully clean, mainly because of the familiar "Rondo" theme, which was later made famous by the Nice. It's Ron Gaines' saxophone that gives "Ramadahn" its mesmerizing flow and tribal-like sound, while the fully instrumental "Jig-A-Jig" went to number seven on the U.K. charts in 1971, thanks to the cordial nature of the song's pop sound. The eight-plus minutes of "Gum Arabic" contrasts the airiness of the flute with the resonant chant of bagpipes, emerging as a truly eccentric piece of music, and "Confucius" focuses mainly on the guitar, causing the rhythms to stand out with a rockier tempo. East of Eden may not have gained the attention that the band was hoping for, even within the progressive rock ranks, but some of the members did go on to greener pastures. Drummer Geoff Britton went on to play in Paul McCartney's Wings for almost a year in 1974, and violin player Dave Arbus became a renowned session man, lending his craft to the Who's Who's Next album. Because East of Eden's material may be hard to come by, Jig-A-Jig stands as a brief but fit example of the band's progressive/folk collage. Mike DeGagne  
Tracklist :
1.    Jig-A-Jig 3:35
 -Traditional
Arranged By – East Of Eden 
2.    Nymphenberger 6:12
Written-By – East Of Eden 
3.    Ramadhan 6:14
 – Unknown
In The Snow For A Blow (Medley)    
3b    Part I
Written-By – East Of Eden 
3c    Better Git It In Your Soul
Written-By – Mingus
3d    Part Ill
Written-By – East Of Eden 
4.    Northern Hemisphere 4:31
Written-By – Caines
5a    Gum Arabic 8:17
Written-By – East Of Eden 
5b    Confucius
Written-By – Drummond
6.    Isadora 4:17
Written-By – Nicholson, Caines, York
7a    Leaping Beauties For Rudy 7:01
Written-By – East Of Eden 
7b    Marcus Junior
8.    Jig-A-Jig (7" Version)    3:42
9.    Marcus Junior (7" Version) 3:56
Written-By – Drummond
Credits :
Bass Guitar – Andy Sneddon
Drums – Geoff Britton
Electric Guitar – Geoff Nicholson
Electric Violin, Flute – Dave Arbus
Keyboards – Ron Caines
Saxophone – Dave Arbus, Ron Caines
Vocals – Geoff Nicholson, Ron Caines