Bassist Anders Jormin steps out with one of his projects, with an ensemble formed for the Swedish Jazz Celebration 2010. Anders sets his own lyrics – written in ancient Latin – and poetry of Denmark’s Pia Tafdrup for singers Mariam Wallentin and Erika Angell. Anders: “Latin seems to carry an almost magic ability to embrace and express whatever humanity has needed to communicate. The sense of eternity and mystery of this ancient language joined with the instantaneous presence and creativity of true improvisers became the inspiring framework in which the distinctive compositions came alive.” Improvisers on hand are the great Swedish free sax player Fredrik Ljungkvist and Jormin’s highly expressive partner from the Bobo Stenson Trio, drummer Jon Fält. ecm
Tracklist :
1 Hic et nunc 6'55
(Anders Jormin)
2 Quibus 6'05
(Anders Jormin)
3 Clamor 5'39
(Anders Jormin)
4 Vigor 2'50
(Jon Fält, Anders Jormin)
5 Inter semper et numquam 3'58
(Anders Jormin)
6 Lignum 0'34
(Jon Fält, Fredrik Ljungkvist, Erika Angell, Mariam Wallentin)
7 Matutinum 4'20
(Anders Jormin)
8 Vox animæ 5'04
(Anders Jormin)
9 Vesper est 4'08
(Anders Jormin)
10 Lux 6'22
(Anders Jormin)
11 Cæruleus 5'10
(Anders Jormin)
12 Matutinum - Clausula 1'02
(Anders Jormin)
Credits :
Anders Jormin Double-Bass
Mariam Wallentin Voice
Erika Angell Voice
Fredrik Ljungkvist Clarinet, Bass Clarinet, Tenor Saxophone
Jon Fält Drums
Mostrando postagens com marcador Jon Fält. Mostrar todas as postagens
Mostrando postagens com marcador Jon Fält. Mostrar todas as postagens
8.7.22
7.7.22
BOBO STENSON TRIO - Cantando (2008) FLAC (image+.cue), lossless
Cantando marks the second time in as many albums that pianist and composer Bobo Stenson is making a personnel change in the drum chair of his trio. For many jazz artists this wouldn't even be a major consideration, as the transient nature of the music lends itself to such changes. But Stenson, along with longtime bassist Anders Jormin (20 years), has only made a total of six recordings in 37 years including this one, and former drummer Jon Christensen held that chair for 29 of them. Paul Motian stepped in for 2005's Goodbye and offered a different, mildly busier approach, though it too was rooted in the slow and deliberate spaciousness that has been at the heart of Stenson's music from the beginning. But 29-year-old drummer Jon Fält (Nordic Quintet) lends something else entirely to Stenson's brew as he may continue in Motian's footsteps as an elegant player but he is more physical dynamically, and more active in his sense of adventure. Another aspect of the change inherent in Stenson's approach to music-making would be the selection of material by other composers. Of the 11 pieces here, only one, "Pages," is an original; and it is a long improvisational work that sits dead-center on the album, compiled chop-up style from four demos by producer Manfred Eicher. It is credited to all three members. The other works here are by a highly divergent group of authors, from Ornette Coleman to Alban Berg, from Czech composer Peter Iben to the late Argentine nuevo tango composer Astor Piazzolla, from Don Cherry to Cuban vocalist Silvio Rodríguez. These choices are all impeccable. Rodríguez's "Olivia" opens the set with its insistent lyricism and tender melody line. The interplay between Jormin -- one of the greatest bassists ever to appear on ECM and one of the most technically gifted players in the music today -- and Fält, with his dancing cymbal work and beat-heavy brushes on the tom-toms, offers an uncharacteristically tight space for Stenson in the melody and in his solo. Of course he rises to the occasion with glorious ostinati and syncopated arpeggios. Cherry's "Don's Kora Song" begins with the rhythm section, in particular the held, clipped cymbal sound by Fält that accompanies the insistent, woody attack by Jormin in an insistent rhythm. Stenson begins by rumbling in the lowest register before gradually moving toward the center with a mysterious minor-key articulation of Cherry's lyric line and developing a solo of chords into the middle of that as Fält allows the cone of the cymbals to ring more with his attack. Jormin is dazzling as he propels the tune from underneath. Coleman's "A Fixed Goal" follows this, and the reading is wonderful. With its playful, staccato melody echoing a nursery rhyme ethos and decidedly marked harmonic lines and rhythmic shifts, it is the perfect number for this trio. Stenson's solo is dazzling. The real mettle of the trio is on "Pages," where the group plays freely -- for Stenson -- with time, space, and texture. Fält and Jormin are wonderful together, continually challenging and complementing, and Stenson's elastic melodic sense is given new elasticity. This is a stellar effort that announces -- hopefully -- an extended run for this trio.
(This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa')
Tracklist :
1 Olivia 6'38
(Silvio Rodríguez)
2 Song Of Ruth 6'42
(Petr Eben)
3 Wooden Church 7'01
(Anders Jormin)
4 M 7'59
(Anders Jormin)
5 Chiquilin de Bachin 8'04
(Astor Piazzolla)
6 Pages 13'40
(Anders Jormin, Bobo Stenson, Jon Fält)
7 Don's Kora Song 5'08
(Don Cherry)
8 A Fixed Goal 4'12
(Ornette Coleman)
9 Love, I've Found You 3'12
(Connie Moore, Danny Small)
10 Liebesode 8'36
(Alban Berg)
11 Song Of Ruth, var. 6'47
(Petr Eben)
Credits :
Bobo Stenson Piano
Anders Jormin Double Bass
Jon Fält Drums
(This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa')
Tracklist :
1 Olivia 6'38
(Silvio Rodríguez)
2 Song Of Ruth 6'42
(Petr Eben)
3 Wooden Church 7'01
(Anders Jormin)
4 M 7'59
(Anders Jormin)
5 Chiquilin de Bachin 8'04
(Astor Piazzolla)
6 Pages 13'40
(Anders Jormin, Bobo Stenson, Jon Fält)
7 Don's Kora Song 5'08
(Don Cherry)
8 A Fixed Goal 4'12
(Ornette Coleman)
9 Love, I've Found You 3'12
(Connie Moore, Danny Small)
10 Liebesode 8'36
(Alban Berg)
11 Song Of Ruth, var. 6'47
(Petr Eben)
Credits :
Bobo Stenson Piano
Anders Jormin Double Bass
Jon Fält Drums
BOBO STENSON TRIO - Indicum (2012) FLAC (tracks+.cue), lossless
Any listener familiar with Bobo Stenson's work knows that extensive range is a trademark on his records. Indicum is no exception. With longtime bassist Anders Jormin and drummer Jon Fält, he takes on works by Bill Evans, George Russell, contemporary sacred composition, free group improv, traditional hymns, and jazz reads of Carl Nielsen on this 12-track set. Stenson opens with a brief solo reading of Evans' "Your Story," dedicated to the late Paul Motian, who had held the drum chair on the Trio's 2005 album, Goodbye. It's elegant, emotive, and bears the hallmarks of Stenson's sparse yet striking chords. "Indikon," the first of three group improvs, commences with Fält's solo. The pianist enters with an abundant lyricism, weighted by Jormin's slow, studied pulse. As the players engage and trade the foreground, an organic process emerges and begins its evolution. On "Indigo," dark minor keys emerge from the tune's body to create dramatic tension. Jormin's low end adds a force to Stenson's argument, but Fält's shimmering cymbals and flat snare counter it all, creating balance. The set includes version of Wolf Bierman's protest song "Ermutigung," which shimmers even as it swings; its melancholy overtones embraced and articulated fully in Jormin's song-like solo. The inclusion of Argentinian composer Ariel Ramirez's "La Peregrinacion" illustrates how subtle, even hidden aspects of rhythmic interplay are evoked inside this group's lyric improvisation. The other end of the folk spectrum is highlighted in the Norwegian traditional "Ave Maria." The sacred melody is pronounced, then shifted to find the margin. In its place, a haunting improvisation/dialogue illustrates the many harmonic possibilities in its formal architecture. Jormin's "Sol" is a fine vehicle for him and Fält. Stenson doesn't enter until two minutes into the conversation. When he does, it's via a series of carefully spaced triads that frame Jormin's arco. Before the tune gels, it hints at post-bop without indulging it, yet its graceful sense of swing is implicit. Album-closer "Ubi Caritas" is a choral piece by contemporary composer Ola Gjeilo. In intent, it walks a line between modern and medieval music. But Stenson uses its structural evocation of plain chant in his chords and allows Jormin a soprano-like quality with his bow. Fält skeletally and spaciously accents it all, keeping the tune's mysterious quality intact. The Stenson Trio is the rarest of bands, one that approaches its material as a series of queries to be summarily explored, rather than statements to be made. As such, Indicum succeeds in spades.
(This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa')
Tracklist :
1 Your Story 2'52
(Bill Evans)
2 Indikon 6'03
(Jon Fält, Bobo Stenson, Anders Jormin)
3 Indicum 3'10
(Bobo Stenson, Jon Fält, Anders Jormin)
4 Ermutigung 5'09
(Wolf Biermann)
5 Indigo 4'20
(Jon Fält, Bobo Stenson, Anders Jormin)
6 December 4'55
(Anders Jormin)
7 La Peregrinacion 8'26
(Ariel Ramírez)
8 Event VI 3'11
(George Russell)
9 Ave Maria 7'48
(Traditional)
10 Tit er jeg glad 6'42
(Carl Nielsen)
11 Sol 9'11
(Anders Jormin)
12 Ubi Caritas 6'41
(Ola Gjeilo)
Credits :
Bobo Stenson Piano
Anders Jormin Double Bass
Jon Fält Drums
(This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa')
Tracklist :
1 Your Story 2'52
(Bill Evans)
2 Indikon 6'03
(Jon Fält, Bobo Stenson, Anders Jormin)
3 Indicum 3'10
(Bobo Stenson, Jon Fält, Anders Jormin)
4 Ermutigung 5'09
(Wolf Biermann)
5 Indigo 4'20
(Jon Fält, Bobo Stenson, Anders Jormin)
6 December 4'55
(Anders Jormin)
7 La Peregrinacion 8'26
(Ariel Ramírez)
8 Event VI 3'11
(George Russell)
9 Ave Maria 7'48
(Traditional)
10 Tit er jeg glad 6'42
(Carl Nielsen)
11 Sol 9'11
(Anders Jormin)
12 Ubi Caritas 6'41
(Ola Gjeilo)
Credits :
Bobo Stenson Piano
Anders Jormin Double Bass
Jon Fält Drums
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ESBJÖRN SVENSSON TRIO — Winter In Venice (1997) FLAC (tracks+.cue), lossless
Esbjörn Svensson has stood not only once on stage in Montreux. He was already a guest in the summer of 1998 at the jazz festival on Lake Gen...