The opening title cut is introduced by Muthspiel's electric with sparse fingerpicking before pulsing a chord pattern to introduce Mehldau, who in turn articulates the lyric in elliptical tones. Grenadier enters, adding weight and increasing the tempo before Harland and Akinmusire approach, adding force, color, and texture as the melodic body ascends to a euphoric plateau. Muthspiel's solo winds above and through his bandmates' dialogue, framing the proceedings with scalar single-note queries and chordal accents. In "For Django," the band offers the head in unison before Mehldau and Muthspiel turn around one another in widening circles while Akinmusire finds choice moments to underscore their contrapuntal inquiries. "Clearing" is a group improv piece fueled by Harland's breaks and syncopated trap beats. The groove remains deep even as Mehldau takes it outside, pushing off from the vamp to go deeper. Akinmusire employs a rainbow of tonalities in his solo before paring the entire proceeding down for Muthspiel to carry it out. The guitarist plays solo acoustic on the lovely "Buenos Aires," a three-and-a-half-minute exercise in harmonic inquiry inside a ballad.
"One Day My Prince Was Gone" is a vehicle for Akinmusire and Mehldau. The former makes use of his immense creativity and technical skills to embrace everything from New Orleans jazz to Miles' modalism to vanguard exposition in ever increasing modes of tension, while the latter and Grenadier frame his statements and the guitarist offers tight, single-string leads as ballast for the labyrinthine trumpet lines. By contrast, Mehldau's "Blueshead" is a muscular exercise in fingerpopping post-bop. All five members showcase their soloing chops. Muthspiel in particular is notable for his fleet, spidery arpeggios that swing like mad. Mehldau sits out the brief closer, "Panorama," as the guitarist and the rhythm section stretch Brazilian rhythmic interpolations to meet elements of classical and even flamenco musics. Where the River Goes is more speculative than its predecessor, but it's so kinetic in its group engagement, it doesn't feel that way. Its seemingly effortless conversation sets a new bar for this group going forward. by Thom Jurek
Tracklist
1 Where the River Goes 7:42
Wolfgang Muthspiel
2 For Django 7:15
Wolfgang Muthspiel
3 Descendants 5:32
Wolfgang Muthspiel
4 Clearing 7:26
Ambrose Akinmusire / Larry Grenadier / Eric Harland / Brad Mehldau / Wolfgang Muthspiel
5 Buenos Aires 3:37
Wolfgang Muthspiel
6 One Day My Prince Was Gone 5:31
Wolfgang Muthspiel
7 Blueshead 7:41
Brad Mehldau
8 Panorama 3:27
Wolfgang Muthspiel
Credits
Double Bass – Larry Grenadier
Drums – Eric Harland
Guitar – Wolfgang Muthspiel
Piano – Brad Mehldau
Producer [Produced By] – Manfred Eicher
Trumpet – Ambrose Akinmusire
O Púbis da Rosa
Nenhum comentário:
Postar um comentário