19.4.19

EGBERTO GISMONTI - Saudações (2009) 2CD / FLAC (tracks+.cue), lossless

Composer, guitarist, and pianist Egberto Gismonti is one of the less celebrated but most interesting products of Brazil's progressive scene in the late '60s and early '70s. His music has been classified as rock, pop, jazz, and classical music, sometimes for the same album in different releases. The orchestral work on the first disc of this two-disc set tends toward the classical side, and it displays Gismonti's skills as an orchestrator. Those skills came down from Ravel through a French tradition represented by, among others, Nadia Boulanger, who had Gismonti as one of her later students. Hear the masterful use of the strings as percussive scrapers in the first of the seven movements of the attractively titled Sertões Veredas -- Tributo à Miscigenação, meaning Backroads Paths -- Tribute to Miscegenation. As the title implies, the music is something of a chamber-orchestra survey of Brazilian popular traditions, beginning where Villa-Lobos left off. Each movement is in three more or less well-defined sections, and Gismonti covers a lot of ground in his wanderings, giving the music a kaleidoscopic feel. It is all so concise and closely tied together, however, that it never feels like a fantasy. It's a crowd-pleasing yet rigorous piece of national music that could fit on any of the Latin-flavored orchestral programs that have become popular in both North America and Europe. Indeed, the performance by Cuba's all-female Camerata Romeu under director Zenaida Romeu leaves room for other versions; the group naturally plays with strong awareness of the rhythmic bases of Gismonti's writing, but the strings are at times less than sparkling. The Duetos de Violões or guitar duets on the second disc are performed by Gismonti and his son Alexandre. They would seem to fall more on the jazz side of the spectrum, but are often more dissonant harmonically than the seven Sertões Veredas. Recommended for anyone interested in the fertile and genre-crossing South American scene. by James Manheim 
Tracklist - Disc 1
1 Sertões Veredas: Tributo à Miscigenação (Tribute to Miscegenation) I 13:31
Egberto Gismonti feat: Camerata Romeu / Zenaida Romeu
2 Sertões Veredas: Tributo à Miscigenação (Tribute to Miscegenation) II 12:35
Egberto Gismonti feat: Camerata Romeu / Zenaida Romeu
3 Sertões Veredas: Tributo à Miscigenação (Tribute to Miscegenation) III 9:04
Egberto Gismonti feat: Camerata Romeu / Zenaida Romeu
4 Sertões Veredas: Tributo à Miscigenação (Tribute to Miscegenation) IV 10:46
Egberto Gismonti feat: Camerata Romeu / Zenaida Romeu
5 Sertões Veredas: Tributo à Miscigenação (Tribute to Miscegenation) V 10:44
Egberto Gismonti feat: Camerata Romeu / Zenaida Romeu
6 Sertões Veredas: Tributo à Miscigenação (Tribute to Miscegenation) VI 9:56
Egberto Gismonti feat: Camerata Romeu / Zenaida Romeu 
7  Sertões Veredas: Tributo à Miscigenação (Tribute to Miscegenation) VII 8:56
         - Palhaço na Caravela
Geraldo Carneiro / Egberto Gismonti
Tracklist - Disc 2
1 Duetos de Violões (Guitar Duets): Lundú 4:03
Egberto Gismonti feat: Alexandre Gismonti
2 Duetos de Violões (Guitar Duets): Mestiço & Caboclo 13:05
Egberto Gismonti feat: Alexandre Gismonti
3 Duetos de Violões (Guitar Duets): Dois Violões 5:18
Egberto Gismonti feat: Alexandre Gismonti
4 Duetos de Violões (Guitar Duets): Palhaço 6:53
Geraldo Carneiro / Egberto Gismonti
5 Duetos de Violões (Guitar Duets): Dança dos Escravos 8:14
Egberto Gismonti feat: Alexandre Gismonti
6 Duetos de Violões (Guitar Duets): Chora Antônio 6:20
Alexandre Gismonti
7 Duetos de Violões (Guitar Duets): Zig Zag 10:05
Egberto Gismonti feat: Alexandre Gismonti
8 Duetos de Violões (Guitar Duets): Carmen 4:56
Egberto Gismonti feat: Alexandre Gismonti
9 Duetos de Violões (Guitar Duets): Águas & Dança 6:33
Egberto Gismonti feat: Alexandre Gismonti
10 Duetos de Violões (Guitar Duets): Saudações 4:31
Egberto Gismonti / Paulo César Pinheiro
Credits
Arranged By – Alexandre Gismonti (tracks: 2-4, 2-6), Egberto Gismonti (tracks: 1-1 to 2-3, 2-5, 2-7 to 10), Sergio Assad (tracks: 2-4)
Cello – Caridad Rosa Varona Borges (tracks: 1-1 to 1-7), Maylin Sevila Brizuela (tracks: 1-1 to 1-7)
Composed By – Egberto Gismonti (tracks: 1-1 to 2-3, 2-5, 2-7 to 2-9)
Directed By [Artistic Director] – Egberto Gismonti
Directed By [Musical Director, Camerata Romeu], Conductor [Camerata Romeu] – Zenaida Romeu (tracks: 1-1 to 1-7)
Double Bass – Caridad Zaldivia Lores (tracks: 1-1 to 1-7)
Ensemble – Camerata Romeu (tracks: 1-1 to 1-7)
Guitar [Guitars] – Alexandre Gismonti (tracks: 2-1 to 2-10), Egberto Gismonti (tracks: 2-1 to 2-10)
Musical Assistance [Camerata Romeu's Assistant] – Sara Monzón Gonzáles (tracks: 1-1 to 1-7)
Viola – Aisel Álvarez Sevila (tracks: 1-1 to 1-7), Denia León Cedeño (tracks: 1-1 to 1-7), Jeisy León Molina (tracks: 1-1 to 1-7), Yuliena Fernández Nieves (tracks: 1-1 to 1-7)
Violin [First Violin] – Beatriz Vera Almeida (tracks: 1-1 to 1-7), Jenny Peña Campo (tracks: 1-1 to 1-7), Silvia Suárez Socarrás (tracks: 1-1 to 1-7), Yalira Machado Montejo (tracks: 1-1 to 1-7)
Violin [First Violin], Leader [First Violins] – Vanessa Moreno Llerena (tracks: 1-1 to 1-7)
Violin [Second Violin] – Indira González Oliva (tracks: 1-1 to 1-7), Kary Ann Dranguet (tracks: 1-1 to 1-7), Rayma Santana Aldama (tracks: 1-1 to 1-7), Yadira Cobo Rodríguez (tracks: 1-1 to 1-7)

2 comentários:

  1. http://nitroflare.com/view/F5120C9A7E451F0/Artwork.rar
    http://nitroflare.com/view/8CC815F18BC20CB/CD1.rar
    http://nitroflare.com/view/58B7FDA1E3E6FBF/CD2.rar

    http://www.filefactory.com/file/5tbxyntaegwz/CD2.rar
    http://www.filefactory.com/file/6e2i35ktwwfz/CD1.rar
    http://www.filefactory.com/file/28f8pzqku6c9/Artwork.rar

    ResponderExcluir
  2. new links:
    https://nitroflare.com/view/E349955558FB987/2009_-_Saudaes_1.rar
    https://nitroflare.com/view/2CFCE41D917234E/2009_-_Saudaes_2.rar
    https://nitroflare.com/view/AE3E4C4BA3931D5/2009_-_Saudaes_3.rar

    ResponderExcluir

VIJAY IYER — Solo (2010) FLAC (tracks+.cue), lossless

Vijay Iyer's first solo album is structured in three movements, not unlike a recital. It begins with four interpretations -- the pop son...