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STEVE KUHN TRIO — Waltz Red Side (2002-2006) Two Version | RM | Venus Jazz Special Campaign Jazz Giants Series | FLAC & APE (image+.cue), lossless

Recorded over the same three-day stretch as Waltz Blue Side, this trio date by Steve Kuhn features a mix of standards and originals, with the help of a strong rhythm section including bassist Eddie Gomez and drummer Billy Drummond, though it is an interactive trio versus piano plus accompaniment group. Henry Mancini's "Charade" has had popular appeal since it appeared as the theme music in the Gregory Peck-Audrey Hepburn film, though it has been infrequently recorded in jazz settings, in spite of its attractive melody. Kuhn's brilliant, leisurely arrangement showcases Gomez extensively, as well as himself. Michel Legrand's "Once Upon a Summertime" has long been a favorite of jazz musicians and Kuhn's romantic setting of this bittersweet ballad is breathtaking. "I'll Take Romance" is a change of pace, providing a brisk waltz treatment. Kuhn's originals include one of his best-known works, the driving "Years Later," along with the elegant ballad "Pastorale." Recommended. Ken Dryden
Tracklist :
1    Charade    7:54
2    Remember    7:49
3    Years Later    7:10
4    Once Upon A Summertime    5:08
5    How Am I To Know?    8:13
6    My Buddy    4:53
7    I'll Take Romance    8:13
8    I'm Glad There Is You    5:07
9    Pastorale    4:23
Credits :
Double Bass – Eddie Gomez
Drums – Billy Drummond
Piano – Steve Kuhn

STEVE KUHN TRIO — Waltz Blue Side (2002-2004) Two Version | RM | Venus Jazz Special Campaign Jazz Giants Series | FLAC & APE (image+.cue), lossless

Tracklist :
1    When I Grow Too Old To Dream    4:59
2    Charade    5:46
3    Remember    5:44
4    Years Later    5:24
5    Once Upon A Summertime    4:32
6    I'll Take Romance    7:17
7    I'm Glad There Is You    5:08
8    Pastorale    5:10
9    My Buddy    4:52
Credits :
Double Bass – Gary Peacock
Drums – Billy Drummond
Piano – Steve Kuhn

STEVE KUHN TRIO — Easy To Love (2004-2010) Serie Masterpiece Collections | FLAC (image+.cue), lossless


Tracklist :
1    Super Jet 5:30
Written-By – T. Dameron
2    Dear Old Stockholm 6:28

Traditional
3    Emily 7:16
Written-By – J. Mandel
4    Airegin 4:44
Written-By – S. Rollins
5    Morning Dew 6:00
Written-By – S. Kuhn
6    New Valley 6:51
Written-By – D. Finck
7    Dream Dancing 8:04
Written-By – C. Porter
8    Two For The Road 5:15
Written-By – H. Mancini
9    Be My Love 9:17
Written-By – N. Brodsky
10    Easy To Love 6:11
Written-By – C. Porter
Credits :
Bass – David Finck
Drums – Billy Drummond
Piano – Steve Kuhn

STEVE KUHN W/Strings — Promises Kept (2004) APE (image+.cue), lossless

The lineup on Promises Kept says it all: Steve Kuhn with strings. Kuhn is a jazz pianist whose recordings may have been out of the jazz mainstream for most of the five decades his career has spanned, but it hardly matters. Kuhn's style is signature, though his explorations have taken him to many different terrains in the world of jazz, from knotty post-bop to pointillism and modalism and through the nefarious world of 20th century vanguard composition to the place where listeners find him now: the place of a supreme and unabashed lyricism that is as sophisticated and forward-looking as it is historical and inclusive. Bassist David Finck is also present here; his trademark loping style has been a fixture on Kuhn's recordings since 1986. Conducted and orchestrated by Carlos Franzetti, this 15-piece string orchestra offers a lush yet poignant collaborative sphere for Kuhn to work his considerable harmonic magic. Kuhn composed all ten pieces. Some are well-known items in his oeuvre; others were written specifically for this recording. They vary in range, mood, texture, and depth of field. The album opens with "Lullaby," its sheer nocturnal elegance kissed by quiet joy. The bittersweet emotionalism of his classic "Life's Backward Glance" becomes a credo for the entire album. Beginning with a series of brooding washes by the cellos and tempered by a pastoral reflective series of chords and ostinatos, it becomes the haunted song of reverie as tempered by a sense of the fleeting present. "Trance" offers an elongated string introduction, whereby the feeling of time's suspension pervades in the violas and cellos until the repetitive, songlike melody line slips into the middle between them and the violins caress the entire mix. Here romanticism and jazz entwine in the body of Kuhn's harmonic structures, shimmering through a luxuriant mirror of musical history. And the title track, an homage to Kuhn's Hungarian immigrant parents, waltzes and glides between Old Europe and a far more romantic vision of America than exists today. It is formal and carries within it a wistful kind of romanticism that is seldom heard in modern music. In sum, this is one of the finest recordings Kuhn has ever issued. Simply put, for all the decades spent adventuring on the boundaries where various traditions blur, the pianist and composer articulate direct emotion as the most effective communicator here, no matter what terrain is navigated in form. A breathtaking and intimate outing, this is a career-topping effort.
-> This comment is posted on Allmusic by Thom Jurek, follower of our blog 'O Púbis da Rosa' <-
Tracklist :
1    Lullaby    4:44
2    Life's Backward Glance    4:59
3    Trance    8:08
4    Morning Dew    5:28
5    Promises Kept    5:14
6    Adagio    7:25
7    Celtic Princess    5:06
8    Nostalgia    5:22
9    Oceans In The Sky    5:32
10    Pastorale    5:40
Credits :
Cello – Joshua Gordon, Richard Locker, Stephanie Cummins
Conductor, Orchestrated By – Carlos Franzetti
Double Bass – David Finck
Piano, Composed By – Steve Kuhn
Viola – Karen Ritscher, Sue Pray, Vince Lionti
Violin – Anca Nicolau, Barry Finclair, Carol Pool, Elizabeth Lim-Dutton, Helen Kim, Karl Kawahara, Krista Bennion Feeney, Richard Sortomme, Robert Shaw

STEVE KUHN TRIO — Pavane for a Dead Princess (2006) FLAC (tracks+.cue), lossless

Pianist Steve Kuhn, accompanied by David Finck and Billy Drummond, explore classical works by a number of top composers from the 19th and 20th centuries on this Japanese release, though they are used as a launching pad for improvisation. Maurice Ravel's "Pavane for a Dead Princess" is recast as a soft samba, also incorporating a bit of an earlier standard that was derived from the French Impressionist's piece, "The Lamp Is Low." Chopin is obviously one of Kuhn's favorite classical composers, as three of his features, highlighted by a dreamy setting of "Nocturne in E Flat Major, Op. 9, No. 2." He brightens the tempo of Claude Debussy's "Reverie" while retaining its lyricism, while slowing Johannes Brahms' "Lullaby" to a crawl and demonstrating how a master jazz pianist utilizes space as an element of improvisation. Classical purists are always upset with jazz arrangements of "their" music, but anyone who loves both musical worlds will appreciate Steve Kuhn's thoughtful arrangements of music that has easily stood the test of time. Ken Dryden
Tracklist :
1    I'm Always Chasing Rainbows~Fantasy Impromptu 7:22

Composed By – F. Chopin
2    Pavane For A Dead Princess 6:26
Composed By – M. Ravel
3    Moon Love~Symphony #5 2nd Movement 6:49

Composed By – P. Tchaikovsky
4    One Red Rose Forever~Ich Liebe Dich 5:32
Composed By – E.Grieg
5    Swan Lake 6:09
Composed By – P. Tchaikovsky
6    Nocturne In E♭ Major Op9, No2 6:38
Composed By – F. Chopin
7    Reverie 8:09
Composed By – C. Debussy
8    Prelude In E Minor Op28, No4 5:43
Composed By – F. Chopin
9    Full Moon And Empty Arms~Piano Concerto #2 3rd Movement 5:51
Composed By – S. Rachmaninov
10    Pavane 6:32
Composed By – G. Faure
11    Lullaby 3:37
Composed By – J. Brahms
Credits :
Bass – David Finck
Drums – Billy Drummond
Piano – Steve Kuhn

ANDREW CYRILLE | WADADA LEO SMITH | BILL FRISELL — Lebroba (2018) FLAC (tracks+.cue), lossless

Lebroba, Andrew Cyrille's second leader date for ECM, finds the septuagenarian rhythm explorer trading in all but guitarist Bill Frisell...