30.7.24

STEVE KUHN – Pastorale (2007) FLAC (tracks), lossless

Steve Kuhn has recorded a wide variety of music in his career, sometimes as a sideman (including with Sheila Jordan, Art Farmer, Kenny Dorham and Stan Getz), and more often as a leader. On Pastorale, he returns to his bop-oriented roots. Playing straight-ahead jazz with bassist Eddie Gomez and drummer Billy Drummond, Kuhn digs into seven vintage standards plus two of his originals. Kuhn hints at both Bud Powell and Bill Evans in spots while retaining his own musical personality. His improvisations are thoughtful, often joyful and always intriguing, really uplifting "Charade" and coming up with fresh variations to "Remember." This is one of Kuhn's most accessible dates and is highly recommended. Scott Yanow
Tracklist :
1    Charade     7:54
2    Remember     7:49
3    Years Later    7:10
4    Once Upon A Summertime     5:08
5    How Am I To Know?    8:13
6    My Buddy    4:53
7    I'll Take Romance    8:13
8    I'm Glad There Is You    5:07
9    Pastorale     4:23
Credits :
Bass – Eddie Gomez
Drums – Billy Drummond
Piano – Steve Kuhn

STEVE KUHN TRIO — Plays Standards (2007) FLAC (tracks+.cue), lossless


Veteran jazz pianist Steve Kuhn has proved to be a popular artist in Japan, recording a series of CDs for the Japanese label Venus. On these 2006 sessions, Kuhn is joined by bassist Buster Williams and drummer Al Foster, two artists who also have extensive résumés. While the CD is titled Plays Standards, Kuhn doesn't stick exclusively to well-known works. In addition to Victor Young's widely recognized "Beautiful Love" (a favorite of pianist Bill Evans), the pianist offers a seductive take of the composer's "Golden Earrings" and a lighthearted, breezy setting of "Love Letters" as well. Kuhn's intense workout of "Alone Together" includes an amusing detour into Thelonious Monk's "Locomotive," while his revamping of "Softly, as in a Morning Sunrise" disguises the tune rather well. Kuhn also revisits his original "Oceans in the Sky," a brilliant piece evocative of a coming storm. Highly recommended. Ken Dryden
Tracklist :
1    Alone Together 7:16
Written-By – A. Schwartz
2    Golden Earrings 5:31

Written-By – V. Young
3    I Wish I Knew 5:59
Written-By – H. Warren
4    Left Alone 4:07
Written-By – M. Waldron
5    Blue Bossa 5:28
Written-By – K. Dorham
6    Nature Boy 6:34
Written-By – E. Ahbez
7    Softly As In A Morning Sunrise 6:32
Written-By – S. Romberg
8    You Leave Me Breathless 5:20
Written-By – F. Hollander
9    Oceans In The Sky 6:18
Written-By – S. Kuhn
10    I See Your Face Before Me 5:28
Written-By – A. Schwartz
11    Love Letters 6:50
Written-By – V. Young
12    Beautiful Love 4:35
Written-By – E.V. Alstyne, V. Young, W. King
Credits :
Bass – Buster Williams
Drums – Al Foster
Piano – Steve Kuhn

STEVE KUHN TRIO — Live at Birdland (2007) APE (image + .cue), lossless

Steve Kuhn has been recording professionally for close to five decades, most of which time he's operated stealthily, rarely achieving the level of recognition he so richly deserves for contributing his immaculate pianistry to a range of jazz greats who have included John Coltrane, Stan Getz, Ornette Coleman, Art Farmer and others, or for leading his own diverse bands. In the mid-'80s Kuhn worked briefly in a trio setting with bassist extraordinaire Ron Carter and drummer Al Foster, cutting a pair of releases, The Vanguard Date and Life's Magic. Two decades later, that trio reconvened at New York's Birdland, and this exquisite aural document of their performance serves as a reminder that, at close to 70, Kuhn is one of jazz piano's unheralded giants. He is as sharp, imaginative and dexterous as he was during his younger years, and with Carter and Foster he is at home -- the musicians reportedly didn't rehearse for these shows, yet they sound as if they'd been at one another's sides for the past 20 years. At Birdland, the trio revisited four compositions that appeared on the earlier albums: Kuhn's own "Clotilde" and "Two by Two," Carter's "Little Waltz" and the Fats Waller standard "Jitterbug Waltz," the latter deconstructed into an 11-minute tour de force that, like much of the music in the set, allows the three musicians to explore a number of tempos, moods and tones. Kuhn, Carter and Foster alternately strut individually and lock intuitively into an airtight groove that takes surprising and pleasing twists before returning to the initial theme. Whether on the opening track, Frank Loesser's "If I Were a Bell," the fusing of Debussy's "La Plus Que Lente" and Billy Strayhorn's "Passion Flower," or the closer, Charlie Parker's "Confirmation," Kuhn establishes a template with light and sensitively executed solo figures before opening things up for all to take off to places unknown. There's a fine balance of simplicity and complexity at work here, but perhaps because he no longer needs to prove anything at this stage in his career, Kuhn seems to have lightened up -- the experimentalism of his ECM period has given way to an approach that is, while still at times blindingly intense, simultaneously light and playful. It's not a bad place for a master to be. Jeff Tamarkin
Tracklist :
1    If I Were A Bell 10:08
Written-By – Frank Loesser
2    Jitterbug Waltz 11:05
Written-By – Thomas Waller
3    Two By Two 7:04
Written-By – Steve Kuhn
4    La Plus Que Lente / Passion Flower 7:11
Written-By – B. Strayhorn, C. Debussy
5    Little Waltz 7:24
Written-By – Ron Carter
6    Lotus Blossom 6:13
Written-By – Kenny Dorham
7    Stella By Starlight 8:13
Written-By – N. Washington, V. Young
8    Slow Hot Wind 7:16
Written-By – H. Mancini, N. Gimbel
9    Clotilde 6:19
Written-By – Steve Kuhn
10    Confirmation 7:09
Written-By – Charlie Parker
Credits :
Bass – Ron Carter
Drums – Al Foster
Piano – Steve Kuhn

STEVE KUHN TRIO – Baubles, Bangles And Beads (2008) FLAC (tracks+.cue), lossless


This trio session by Steve Kuhn includes classical works and pieces adapted into pop songs decades ago. He initially studied classical music as a young man with the mother of baritone saxophonist Serge Chaloff, so he is well grounded in the music. With bassist Dave Finck and Billy Drummond accompanying him, Kuhn's driving, boppish treatments of "Till the End of Time" (based upon Chopin's Polonaise No. 53) and "Stranger in Paradise" (taken from Borodin's Plovetzian Dance) sizzle with energy. His vibrant waltz setting of Erik Satie's Gymnopedie No. 1 is far removed from the Impressionist composer's minimalist conception, with Finck's arco bass solo adding an interesting touch. Borodin's "Baubles, Bangles and Beads" was a favorite of baritone saxophonist Gerry Mulligan during the 1950s; the trio's introspective approach works equally well. While classical listeners who are unfamiliar with jazz may have reservations, jazz fans will savor these outstanding performances. Ken Dryden

Tracklist :
1    And This Is My Beloved - Nocturne From "Strings Quartet No.2"    4:49


2    Till The End Of Time - Polonaise No.53    6:01
3    Symphony No.3, 3rd Movement    4:58
4    If You Are But A Dream - Romance    4:49

5    Stranger In Paradise - Plovetzian Dance    3:53
6    Gymnopedie No.1    6:05
7    I Think Of You - Piano Concerto No.2, 1st Movement Op.18    5:31
8    Prelude In C Minor No.20, Op28    3:56
9    I Look At Heaven - Piano Concerto In A Minor Op6, 1st Movement    5:10
10    Baubles, Bangles And Beads - Strings Quartet No.2 In D    5:28
11    Vilia - From "The Merry Widow"    4:32
12    Prelude No.7, Op28    5:23
Credits :
Double Bass – David Finck
Drums – Billy Drummond
Piano – Steve Kuhn

STEVE KUHN TRIO W/ JOE LOVANO – Mostly Coltrane (2009) FLAC (tracks+.cue), lossless

Steve Kuhn was the original pianist in the John Coltrane Quartet, though he was replaced by McCoy Tyner after two months, as Tyner had been Coltrane's initial choice. Though he never recorded with Coltrane, he is steeped in the late saxophonist's music; this tribute covers music from many phases of his career. With tenor saxophonist Joe Lovano, bassist David Finck, and drummer Joey Baron (the latter two being part of the pianist's working trio), Kuhn had the challenge of tackling mostly well-known Coltrane compositions and standards without sounding like a clone, even though he was utilizing the same instrumentation. Fortunately, Kuhn's approach to playing is very distinctly different from McCoy Tyner, while any hints of Coltrane's influence on Lovano are brief. Billy Eckstine's "I Want to Talk About You" shimmers in the pianist's reserved, lyrical trio setting (omitting saxophone), while "The Night Has a Thousand Eyes" bursts with energy, with Lovano making a delayed entrance well into the piece. One of the most unusual tracks is "Spiritual," with Lovano playing the tárogató, an Hungarian reed instrument that is related to the oboe, sounding a bit like a soprano sax but with a warmer, less shrill sound. Their extended workout of this Coltrane favorite is more reserved than the composer's several recordings, but here the quartet is at its most adventurous. Kuhn also explores late-period Coltrane songs, such as the meditative "Jimmy's Mode" (showcasing Finck) and the turbulent avant-garde-ish "Configuration," both of which remained unissued until 1994. Mostly Coltrane easily stands out as one of the best CDs among the countless tributes to John Coltrane and is one of Steve Kuhn's essential recordings within his extensive discography. Ken Dryden
Tracklist :
1    Welcome    4:56
 John Coltrane
2    Song Of Praise    7:26
 John Coltrane
3    Crescent    6:20
 John Coltrane
4    I Want To Talk About You    5:56
 Billy Eckstine
5    The Night Has A Thousand Eyes    8:41
 Buddy Bernier / Jerome Brainin
6    Living Space    5:08
 John Coltrane
7    Central Park West    3:46
 John Coltrane
8    Like Sonny    6:00
 John Coltrane
9    With Gratitude    3:37
 Steve Kuhn
10    Configuration    4:19
 John Coltrane
11    Jimmy's Mode    6:53
 John Coltrane
12    Spiritual    8:15
 John Coltrane
13    Trance    5:24
  Steve Kuhn
Credits :
Double Bass – David Finck
Drums – Joey Baron
Piano – Steve Kuhn
Producer – Manfred Eicher
Tenor Saxophone, Tárogató [Tarogato] – Joe Lovano

ANDREW CYRILLE | WADADA LEO SMITH | BILL FRISELL — Lebroba (2018) FLAC (tracks+.cue), lossless

Lebroba, Andrew Cyrille's second leader date for ECM, finds the septuagenarian rhythm explorer trading in all but guitarist Bill Frisell...